The Oasis reunion is getting the documentary treatment. The band released a first teaser for "Don't Look Back in Anger," a film following Liam and Noel Gallagher through the reconciliation and tour that brought the group back together, Deadline reported.

Who made it, and when to watch

The documentary is directed by the BAFTA and Oscar-nominated filmmaker Steven Knight, best known for creating "Peaky Blinders" and writing films such as "Locke," alongside co-directors Dylan Southern and Will Lovelace, NME reported. Presented by Disney+ and produced with Sony Music Vision, the film is set to open in a limited run in IMAX and cinemas beginning September 11, according to The Playlist, before streaming later in the year on Disney+ internationally and on Hulu and Disney+ in the United States.

The film promises access from inside the reunion, including rehearsal and backstage footage and what the filmmakers describe as the brothers' first joint interview in more than two decades, Consequence reported.

The reunion the film captures

The documentary follows Oasis Live '25, the tour that returned the band to the stage for the first time in 16 years. Noel Gallagher had walked away from the group in 2009 after a backstage falling-out with his brother in Paris, ending one of the most successful and combustible partnerships in British rock. For years, a reunion looked unlikely, given the brothers' long history of public sniping.

That changed when the two announced in 2024 that they were putting the band back together, and the 2025 tour became a global event, filling stadiums and reviving a catalog of anthems that had never really left British life.

Why it matters

For a band whose story has always been as much about the relationship between two brothers as about the music, a documentary built around their return is a natural fit. The teaser positions "Don't Look Back in Anger," named for one of the group's most enduring songs, as both a concert record and a study of a reconciliation few fans expected to see. Whether it settles the Gallaghers' long argument or simply adds another chapter, it will find a large and devoted audience when it arrives.